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Lev Grossman, Tiffany Reisz, Rachel Caine, Jen Zern, Heidi Tandy, Rukmini Pande, Samira Nadkarni, Wendy C. Fries, Jolie Fontenot, Randi Flanagan, Tish Beaty, Cyndy Aleo, Christina Lauren, V. Arrow, Brad Bell, Andrew Shaffer, Darren Wershler, Anne Jamison, Jules Wilkinson, R
Gatsby's Girl - Caroline Preston I think that The Great Gatsby contains some of the most beautiful writing of the 20th century, and F. Scott Fitzgerald's portrayals of the overprivileged, aimless young adults of a society that didn't realize it was on the brink of major change have always appealed to me, as an outsider looking in. As it happens, Fitzgerald was a bit of an outsider in that world himself, and much of his early exposure to it came through his romance with a young Chicago pre-debutante named Ginevra King during his years at Princeton. In Gatsby's Girl, Caroline Preston has woven the known facts about their relationship into a novel exploring how it affected them both in the years after it was over.

Fitzgerald acknowledged on several occasions - including in conversation with his daughter - that several of his female characters were based on his memories and impressions of his first love, Ginevra, and what he imagined had become of her. Caroline Preston imagines Ginevra into a fictional character again here - re-christened Ginevra Perry, possibly in recognition of one of the characters she inspired, Josephine Perry, protagonist of several of Fitzgerald's short stories.

The real Ginevra King claimed not to have read any of Fitzgerald's writing or to have followed his career, but fictional Ginevra Perry couldn't say the same. One thing I might say about Ginevra Perry is that deep down, she's rather shallow. Her infatuation with Scott Fitzgerald wears off even as his feelings for her seem to grow, and when her father suggests he's not "suitable," she doesn't need much more encouragement to cast him off. By then, she's already got her eye on dashing would-be aviator Billy Granger, and at Scott's request, she discards all of the letters he wrote to her - although, thirty-odd years later, she learns that he did not do the same.

When she accidentally discovers that her former beau has become an acclaimed author - and the toast of the expatriate community in Paris, along with his wife Zelda, considered the original "flapper" of the Roaring '20's - Ginevra becomes caught up with "the one that got away," starting a clip file on Scott and catching up on all of his books. In several of his characters - Isabelle in This Side of Paradise, Josephine Perry, and The Great Gatsby's Daisy Buchanan - she recognizes herself, and this fuels both her renewed fascination with Scott and her unrest with her own life as wife to Billy and mother of two boys.

The premise of this novel intrigued me, and the early-20th-century time period interests me. I found Gatsby's Girl to be a fast and absorbing read, and even if it was difficult to like Ginevra sometimes, it wasn't hard to understand and feel empathy for her. It must be a curious experience to discover that you're a muse.