.Elizabeth Brundage's second novel covers a relatively short chronology - less than a year - but a lot of psychological and relationship territory in this story of the community around a small prep school in the Berkshires. She introduces a lot of characters, and it takes a while to see how their stories will intersect, but have faith that eventually they will.
At first glance, the "somebody else's daughter" of the title seems to be Willa Golding, who came to her parents, Joe and Candace, via a private adoption as a baby. Her birth parents were drug addicts, and her natural mother died of AIDS on the day of the adoption. Willa's biological father, Nate Gallagher, has cleaned up and become a writer and teacher; when a position at the Pioneer School, which she attends, opens up, he takes it as an opportunity to get to know the girl without revealing their relationship.
However, "somebody else's daughter" could be Candace, Willa's adoptive mother, who was raised in foster homes herself. It could be Maggie Heath, who has always felt out of place with her husband Jack's family, and who seems to share an eating disorder with her own daughter Ada. It could be Claire Squire, feminist artist and single mom, recently returned from Los Angeles and living in her father's old house after his death. It could be Petra - also called Pearl (although I think I missed the point in the book where her name changed) - a young, drug-addicted prostitute who centralizes several of the novel's story arcs. I like the fact that the title could refer to any or all of the characters.
I think Brundage balances character and plot development pretty well overall in this novel, and nearly every element she introduces does end up connecting to the larger story at some point. As a reader, I usually do have confidence that authors will tie things together eventually, and I appreciate having that rewarded. I thought that nearly all of the major characters had complexity and depth, and given the number of characters and storylines that Brundage is juggling here, that appeals to me.
There were some elements of the writing that distracted me from the story at times - minor things that seem like they could have been fixed with more (careful? thoughtful? anal-retentive?) editing - but they weren't a serious impediment to my reading, since there was plenty of story to keep me interested. Brundage does use the "f-word" quite a bit, but in a character-appropriate manner. In the interest of full disclosure, I should also mention that she has included some disturbing scenes that may seem gratuitous at first, but really are relevant to the story, including several graphic descriptions of pornography and a scene at a dogfight (which I found more unsettling than the porn).